Poetry has often been considered the highest form of art because it deals with the greatest abstractions we are fitting of thinking, employing the most basic form of communication and interaction, finished language. In his ?Songs of Innocence and Experience?, Blake attempts to ?shrew the contrary states of the human head? distanced by the restraints of sexual oppression and restrictive morality. Believing that ?what is straightforward to the idiot is not worth his care?, Blake employs a array of rhetoric techniques in an exploration of the value and limitation of both perspectives on the world. His altered perception on the wind of recognise (as defined by nature and society) can be traced through the poetic patterns evident in constructing ?The Blossom? of innocence and ?The cronk Rose? of experience.
Blake fathered the art of ?Illuminated Printing? in which the optic setting of a poem aids in the complex body part of meaning, and contrasting opthalmic patterns complement poetic themes. In this way, the pattern construction of stanzas creates an impression on the reader and functions to denote the themes and issues dealt with in the poem. In ?The Sick Rose? Blake explores the idea of natural and vindicated love being destroyed by the selfish and null agenda of man.
This stern theme is reflected in the visual construction of the poem as it appears on the page; bound by sharp corners and abrasive forms, the text is almost offensive in its uniformity. In contrast, ?The Blossom? maintains an air of symmetrical dignity. It?s soft, menses shape unbound by a strict coordinate lures the reader into a rhetorically repetitive arena in which love is not subjugated by the laws of convention. The contrasting nature of the poems is initially reflected through their highly patterned aesthetic visual presentation.
The title of a poem forms...
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