One Flew over the Cuckoo's Nest- Forman Vs. Kesey

Foremans film version dilutes Keseys meaning, but makes the text much more(prenominal) accessible

This phrase rings very true when concerning some(prenominal) Milos Formans film version and Ken Keseys novel, One Flew Over the Cuckoos Nest. twain portray basically the same ideals, meaning and horizontal surfaceline, but atomic number 18 presented from two very differing perspectives. I believe that the narration of the story is the foundation of the quote above, and I think it affects both the handiness and the impact of the two texts.

In Ken Kesey novel, the story of the psychiatric infirmary is told through the eyes of Chief Bromden, a half indigen American Indian, who feigns being deaf and dumb to protect himself from whatsoever grief. He is the observer of the ward, and relays the information he gathers to the reader. He is also one of the central characters in the story, however he is not the focus of the novel.

The Chief suffers from a particular mental ailment (more then likely Schizophrenia), which distorts his view of society (both in the term of the hospital, and in the wider sense of humanity). Although the Chief perhaps presents a true-to-life(prenominal) portrayal of what it is like to be trapped in the encephalon of someone with a mental illness, his grip on frankness has somewhat slipped, and his clarity, at times, can be questionable.

The theory of the Combine is a prime example of this. The Combine, although it is a metaphor for wider society, is all in the Chiefs head. This does make the novel hard to follow, because the reader has to separate the item from fiction, and formulate in their mind, which events are actually taking place, and which are a product of the Chiefs distorted perception. This aspect of the novel may discourage less confident...

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