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genuine Paragraph One
We argue that the wench in depressed, however unconsciously, works to avoid subsumption in otherness and seeks to main(prenominal)tain her bodily being by hard vicariously to appropriate the embodied sensuality of the lovers, just as Mademoiselle Reisz attempts to do principally with Edna, and the younger woman with Robert. It is to the slur that, as Kenneth Eble notes in A Forgotten Novel: Kate Chopins The Awakening, when Robert leaves for Mexicoâ€" effectively dividing Edna from an element of herself, one that finally cannot be keep upâ€"the lady and lovers depart together (190), disappearing from Chopins invigorated.
Original Paragraph Two
Most readings of The Awakening emphasize social and psychological issues and generally neglect the novels more philosophical reflections and the wisdom they afford.
Chopins rendering of the lady in black helps us understand the authors interest in an ontological conundrum: the impossible simultaneous requirement for delimit identity and freedom from definition. We see this dilemma dramatized in her main characters and in her minor ones.
We conclude that Kate Chopin worried over this predicament in herself.
Paraphrase:
According to Church/Havener (2008), the lady in black followed the couple around with patient, resigned solitude. She seemed to be depressed, and moves about to prompt us that young love dont drop dead forever and could end without notice. This usually culminates with a sad widow woman like herself.
Direct Quotation:
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