What is To His Coy Mistress?

D) One connection betwixt Herrick's To The Virgins and Marvell's To His Coy Mistress is the notion of momentary mortality. The vocalizer in Mistress laments that at his "back I always servek / Time's winged chariot hurrying near" (Marvell 1). In Herrick's poem, he informs his listener to "Gather ye rosebuds while ye may, / Old time is unflurried a-flying: / And this same flower that smiles to-day / To-morrow impart be dying" (1). Thus, any(prenominal)(prenominal) poems illustrate an urgency to make the most of manners, since time is fleeting and waits for no mortal. Both also urge a " demure" individual to stop avoiding romance and get on with bed before life passes by.

E) If the words "that" and "your" in " consequently worms sh both yield / that long preserved virginity, / And your quaint honor turn to spit" were changed to "thy", the meaning of the lines would become personal rather than universal (Marvell 1). If the utterer unit used "thy", he would be directly referring to his beloved. By employ "that" and "your", the lines remain universal and can apply to anyone with the same port as his "coy" mistress. This makes the poem more meaningful to all readers acting in a similar manner, while it unlesss the utterer from directly attacking or personally blaming his beloved for her behavior.

Herrick, R. To The Virgins, To touch on Much Of Time. Viewed on Jun 1, 2004: http://www.luminarium.org/sevenlit/herrick/ tovirgins.htm, 1.

ell, Andrew. To His Coy Mistress. Viewed on Jun 1, 2004: http://eir.library.utoronto.ca/rpo/display/poem1386.html, 1-2.

In nymph, the speaker is a female discussing the death of her beloved fawn at the hands of men. Her beloved "Left?his fawn, but took his heart" (Marvell 1). In this manner, we see the speaker question the fickle constitution of love. The speaker admits she is content to sp revoke an "idle life", but save the fawn which her beloved left her (Marvell 1). However, like her beloved, the fawn goes apart at the hands of brutal men who shoot it dead. She loves her fawn, transferring her gists for "Sylvio" onto the animal.

We see an appeal for kindness and love between humans, when the speaker informs us that the love of the fawn "was far more better then / The love of false and cruel men" (Marvell 1). However, the speaker knows nature is more powerful than human desires or wants. She admits the fawn "will die" after being shot and that she will " yell though I be stone" (Marvell 1). Life's cruelties demand affection and kindness between humans, but the speaker, like the speaker in Mistress finds such qualities lacking in human relations. In order to offset the grim reality of death and the teentsy time beings study in the world, the speaker intends to create a marble statue of her fawn. We see in this an attempt to provide some permanence to the transitory nature of existence. However, the speaker admits at the end of the poem that she knows the marble statue will only be a symbol of the fawn, for humans are powerless to rise higher up the limitations of time and death by extending life: "For I would have thine image be / White as I can, though not as thee" (Marvell 1). The speakers in both poems are make an appeal for greater love and affection in life in the face of human limitations and the brevity of life that, erst gone, can never be again.

The similarities between Mistress and Nymph are readily apparent from the above analysis. Howev
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