The Director's Feminine Gaze

This is especially true toward the more and more jealous and vengeful Sergeant Galoup as he persecutes a new recruit, Gilles Sentain. Forestier notes at one halt, "If it weren't for fornication and blood, we wouldn't be here(predicate)" (Denis 1999). However, Forestier's gaze and the erotic nature of the work force's daily operation and rituals is not as homoerotic as it is about the jar on men of macrocosm in close pertain in a rigid and authoritarian unit without whatsoever women. Galoup will basically condemn Sentain to a harsh death. He narrates the film after the Court Martial that gets him dismissed from the cut Foreign Legion. As he tells us, "From a certain demo of view, I screwed up, and points of view are important" (Denis 1999). Point-of-view is important also in that Denis seems to suggest from her female gaze that screwing up by being aggressive and ruthless in such an eroticized male environment of rigid authority is only to be expected.

It is Denis' female view of the male members of the unit that are close erotic and show Lev

Modleski, "The Master's dollhouse: Rear Window." In Braudy, L. and Cohen, M. Film Theory and Criticism. New York: Oxford Univ. Press, 2004, pp. 711-722.

y's point that cinema manipulates visual joyfulness. Levy notes that cinema "controls images, and erotic shipway of looking and spectacle" (711).

This erotic spectacle is clearly on view from Denis' open awe of this erotic all-male world. Her cinema focus on the men during their arduous drills and training rites is like a military dance, with the men's beautiful bodies in motion, looking like toned animals being turned into fighting weapons. Denis' gaze makes this male eroticism animal-like, display the men barely dressed crab-walking beneath barbed wire, crouching under obstacles and thrusting and throwing themselves into each others arms. One scene shows the erotic pleasure of the gender gaze as in a long-shot through with(predicate) a fence Denis shows the men playfully engaging in the waters on the Gulf of Arden. Yet the harsh penalty meted out in this world is shown to be punishing and one that represses and disciplines in Denis' gaze of this world. When the men party at a d
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