Controversy on Mel Gibson's Movie "The Passion of Christ,"

Indeed, if there is anything that distinguishes both sides of the meditate about "The Passion" it is what this word-painting did to their understanding of Christ as Redeemer from Sin, especially at the emotional level. If it contributed little that was new, chances ar that the reviewers 'passionately' dislike the subscribe. However, if in some way, the film gave them a deeper and much profound understanding of Christianity's notion of Jesus dying for sin, hence they were moved by the film and most likely expiration to advocate the public seeing it despite concerns about violence, anti-Semitism, and some other problematic elements of the movie.

unearthly Studies and Its Contribution to Understanding the Debate

Bowker (2006:1-6) states that enchantment theology attempts to understand God, the field of Religious Studies attempts to understand religious behavior, beliefs, and institutions. It looks for diachronic and descriptive accuracy to religious claims and psychoanalyses all manner of religious behavior from the standpoint of multiple disciplines, e.g., anthropology, sociology, psychology, philosophy, and history of religion. thitherfore, what Religious Studies could bring to the debate involving "The Passion of C

Benne, R. "Review of 'The Passion of the Christ.'" Journal of Lutheran Ethics 4.3 (2004): 1-3. .

Howard (2005:1) notes that Gibson's film had several historical bible scholars on the set at all times in purchase order to ensure that the film was historically accurate. However, when Howard (1) asked a panel of religious scholars about the historical accuracy of the film, they found several inaccuracies. For example, the panel pointed out that the papist soldiers probably spoke Greek and not Latin and sure enough not the 'medieval Latin" spoken in the film.

History: Which typeface in the Debate Does it Advocate?

For example, are the parts of the gospel singing recounting the last 12 hours of Jesus' life, as Edelstein suggests, truly those thoughtful of maximal tension between the Jews and Christians? The field of Religious Studies could examine whether this claim is historically valid.

Without doubt, Gibson's film is more focused on the grief and the horror. In over emphasizing this element, some of the importee the film sought to convey may be lost. There was an aim of the crucifixion of Christ and that aim was entirely symbolized by the Resurrection. Gibson should have devoted more time to it and as such given more balance to his art.

Further, the panel stated that musical composition Gibson had the nails driven through the hands, historically, they were driven through the wrists in order to hold up the body. They point out that this inaccurate interpret suggests that Mel relied more on artistic portrayals of the crucifixion than on historical detail.

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